Boudoir : Ms. A

"It took a long time. It took finding a husband who found me irresistibly attractive. It took having babies, seeing the wonder my body could produce, and then the setback of accepting a postpartum body. And right when I was ready to embrace my body all over again, I suffered a complicated birth, one in which the statistics were not in my favor. During my painful recovery, and for months after, every time I looked in the mirror, I struggled with staring at a body that had failed me, a body that had failed to serve its natural womanly role of bringing a child into the world. And even the therapist I saw to help cope with my birth story dismissed my pain as nothing more than, “you just had a baby, and you’re nursing.”

It took a long time. It took turning to God and accepting, it took turning to my reflection in the mirror and accepting. It took an exercise routine and healthy diet that made me feel strong, healthy, and alive. It took the loving support of my husband, the sweet embrace of my incredible children. It took the realization that life is bumpy, and that while the potholes can hurt and damage, the healing that follows makes us fuller and more complete people.

It took realizing, as a kallah (bride) teacher, the importance of a healthy body image in a marriage. That women owe it to themselves and to their relationship to feel beautiful and sexy, and that I had to channel those feelings for myself in order to give them over to the kallot whom I teach.

It took another look in the mirror and the decision that my body did not actually fail me. My body fought and survived against the odds, and the knowledge that I possess that strength as well as how much I have to live for, that pushed me to want to celebrate the body that is mine. It took overcoming my anxiety to schedule a boudoir shoot, to see myself through a singularly talented photographer and, as I wrote to her, “to see myself the way my husband sees me.” Because, when I ask, my husband claims that he does not see my flaws. He sees a beautiful whole, the beautiful whole with whom his life is joined, the beautiful whole who carried and birthed his children, the beautiful whole who is his partner in everything. And now I have these stunning photographs as a constant reminder of my blessings. I owe that to Rebecca.

And finally, it took a reminder that timing is everything. A week after my boudoir shoot, I found out that I’m pregnant – I could not imagine a more perfect beginning to the next 9 months."

Kodak Film Processed & Scanned by Panda Labs

Bridal Boudoir : D + E

It was a pleasure to tell the story of this gorgeous couple, coming home from their wedding in the early hours of the morning. Their love illuminated the session and shines through in the series of photographs below...

Hair and Makeup by Katy Taurel

Dress Designer - Shai Rafaeli

Boudoir : Tamar

I can feel the excitement of the New Year in the air, and I am so happy to share this beautiful boudoir session with you as the beginning of our new adventures in 2016.

Tamar, who ventured to Israel with an open heart and mind, approached her session with some serious positive energy! Walking into the light-filled, Tel Aviv apartment on the day of her session, I already knew we would have an amazing time together.

It is always a humbling experience to be able to photograph women in such a delicate and intimate way.  Here are some of my favorites...

Hair and Makeup by Katy Taurel

3 Reasons Why I'll be Shooting Your Boudoir Session on Film

As hair and makeup nears it's end, you'll see me loading a roll of film in each of the cameras I brought to your session. One for color and one for black and white. The cameras don't have a screen on the back and they don't even look that fancy, but believe me when I tell you that they are everything I need and more.

People often ask me: Why do you still use film? Isn't it hard that you can't see the pictures you're taking? How do you know the photographs will come out well? Isn't digital better because you can as many shots as you want?

I think it's time I come out of the closet and profess my love for analog photography.

Rebecca Sigala - 1

And here's why...

1. Shooting film slows me down and allows me to truly connect with you.

The hustle and bustle of our modern day lives makes it challenging for many, including myself, to allow space to just stop, breathe and "smell the roses." When my film camera is in my hands, I do exactly that. Firstly, I know that I have precisely 36 frames on each roll. Secondly, not only am I paying for each picture I take, but I can't see it once I press the shutter button. Every frame counts. There are no "re-dos." So I breathe, and I wait until I see authentic emotion in your eyes or until we find the most flattering pose with the window light falling perfectly against your body.

This time is my sacred place for creating, and you are a part of it. It's a place where we can talk and laugh, and connect with each other. It helps me see you, not just your outer being. Lastly, I am not checking my screen every two seconds or taking a million pictures and praying one works out. I am deliberately connecting, lighting, composing and capturing for each and every shot. It has pushed me to continually refine my craft.

Rebecca Sigala - 2

2. Photographs that are taken on film are romantic, imperfect and beautiful in ways that make my soul stir.

I love the way film looks. The depth, the tones, the grain, even the light leaks. While as a professional photographer, I am able to create an image with my technical knowledge and my personal creativity, there is always the unknown. Until the film is developed, I won't know the magic that took place. Often times I'll see an image for the first time and my heart skips a beat, and I know that it was something beyond just me that created this piece of art. The "flaws" that would drive some photographers crazy, are what I feel enhances the beauty of my images. It feels more raw and emotive. More real.

3. It's minimalist, and I don't have rely on tons of gear.

It's really that simple.

~

When I first ventured into boudoir photography, I started with digital and soon went to a mix between digital and film. I became frustrated with myself that I couldn't commit to one medium, and I think it slightly disrupted my flow. As I looked at the final results of my sessions, my favorites were almost always the photographs taken on film. I took the leap one session to use only film. That particular session was out of this world, and it was a milestone for me in my career as a boudoir photographer. With shooting film, I've learned to be more patient and aware. I've learned to appreciate and embrace imperfections as true, ultimate beauty. If that is not what boudoir photography is all about, I don't know what is.